18 Jan

New M-Audio Studiophile CX Reference Monitors

Posted by Roger No comments

Best-in-class monitors provide an expansive soundstage as well as customizable controls for greater flexibility in any listening environment.

Tewksbury, Mass, March 26, 2009 — M-Audio, a part of Avid Technology, Inc today introduced the new Studiophile® CX8 and CX5 studio monitors, which are designed to bring accurate monitoring to any mixing environment. The Studiophile CX series builds upon M-Audio’s best-selling studio monitor line, and delivers excellent off-axis response, minimal distortion and a full complement of Acoustic Space controls. Now, customers will be equipped with studio monitors that deliver accurate performance and the flexibility to adapt to any production space.
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16 Jan

Audio Mixers to Enhance Sound Effects

Posted by Roger No comments

Sound mixers, also known as sound boards or sound consoles are the most general type of audio equipment in the audio production world. Each sound operator should know about the different sound mixers available and the correct way to use them. A sound mixer take two and even more signals, merges them together and offers more than one output signal. In addition to mixing signals, sound mixers enable to adjust levels, improve sound with effects and equalization, make monitor feeds as well as record various mixes.

Mixers are available in wide variety of designs and sizes from massive studio consoles to little portable units. Mixers are generally described through the total number of channels they sport. For instance, a 12-channel mixer includes 12 input channels. That is you can put in 12 individual input sources. You may also notice a specification like “24×4x2” that signifies 24 input channels, four subgroups and 2 output channels.
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04 Jan

Music Industry Jobs – How to Become a Sound Recording Engineer

Posted by Roger 1 comment

A music studio contains more equipment than just microphones and a keyboard. To produce a world class album, you need to get the best sound out of the artist and the music. One person whose job it is to do this is the music recording engineer.

When I think of an engineer, I think of an architect or someone who tinkers with wires and circuits all day. In the music business, they use a different type of engineer. He is called a recording engineer and his job begins as soon as the artist starts to sing.

The area that the recording engineer occupies is called the digital audio workstation, or DAW. This workstation contains all of the technical gadgets an engineer needs to fine tune the sounds he hears. The engineer works with the artist to lay down the best sound they can get. This may involve the artist recording certain parts of the song several times until just the right sound is achieved.
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27 Dec

Advanced Audio Recording Techniques

Posted by Roger No comments

Hard Disk / Computer-Based Recording
One of the biggest trends in recent audio production has been to merge digital audio with computer technology to create a sample based approach to sound recording. The encoding of audio data into digital memory or onto a storage medium provides us with a means for storing or manipulating defined blocks of digital data. This data can be stored as a sound file such as .wav, .aiff or SDII.

Perhaps the most important difference that can be distinguished between a tape-based system (digital or analogue) and samplebased recording system is random access. Random access production refers to the fact that digital audio can be stored within a random access memory (RAM), or a disk based memory medium in such a way that the data can – virtually instantaneously – be accessed, processed, or reproduced in any order at any point in time.

Once developers began to design updated sample editor software, it was discovered that through additional processing hardware, digital audio editors were capable of recording digitized audio directly to a computer’s hard disk. These devices, sometimes known as digital audio workstations (DAW), serve as computer based hardware and software packages that are intended specifically for the recording, manipulation, and reproduction of digital audio that resides on hard disk.
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17 Dec

Word of The Week – Vibrato

Posted by Roger No comments

Vibrato:

Defined by a 5ms. delay with 25% feedback with modulating changes in pitch.

Remember the difference between Vibrato and Tremelo!
Tremelo chages in volume, has 100 depth and is modulation dependent.

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